It's Poetry Month. Do you have a favorite poem? Would you post its first line? Or all of it? Or a link to it?
One of my favorites is called The Supremes. It contains these wonderful lines:
But what could we know, tanned white boys,
Wiping sugar and salt from our mouths,
And leaning forward to feel their song?
Not much, except to feel it
Ravel us up like a wave
In the silk of white water,
Simply, sweetly, repeatedly,
And just as quickly let go.
The whole thing can be found at :
http://www.poets.org/viewmedia.php/prmMID/15646
If I only knew how to embed a link, I'd make that look far more elegant.

24 Comments
Salazar
Written Apr. 10, 2007 / Report /
Praying Drunk, by Andrew Hudgins.
Our Father who art in heaven, I am drunk.
Again. Red wine. For which I offer thanks.
I ought to start with praise, but praise
comes hard to me. I stutter. Did I tell you
about the woman, whom I taught, in bed,
this prayer? It starts with praise; the simple form
keeps things in order. I hear from her sometimes.
Do you? And after love, when I was hungry,
I said, Make me something to eat. She yelled,
Poof! You're a casserole! - and laughed so hard
she fell out of bed. Take care of her.
Next, confession - the dreary part. At night
deer drift from the dark woods and eat my garden.
They're like enormous rats on stilts except,
of course, they're beautiful. But why? What makes
them beautiful? I haven't shot one yet.
I might. When I was twelve I'd ride my bike
out to the dump and shoot the rats. It's hard
to kill your rats, our Father. You have to use
a hollow point and hit them solidly.
A leg is not enough. The rat won't pause.
Yeep! Yeep! it screams, and scrabbles, three-legged, back
into the trash, and I would feel a little bad
to kill something that wants to live
more savagely than I do, even if
it's just a rat. My garden's vanishing.
Perhaps I'll plant more beans, though that
might mean more beautiful and hungry deer.
Who knows?
I'm sorry for the times I've driven
home past a black, enormous, twilight ridge.
Crested with mist it looked like a giant wave
about to break and sweep across the valley,
and in my loneliness and fear I've thought,
O let it come and wash the whole world clean.
Forgive me. This is my favorite sin: despair-
whose love I celebrate with wine and prayer.
Our Father, thank you for all the birds and trees,
that nature stuff. I'm grateful for good health,
food, air, some laughs, and all the other things I've never had to do
without. I have confused myself. I'm glad
there's not a rattrap large enough for deer.
While at the zoo last week, I sat and wept
when I saw one elephant insert his trunk
into another's ass, pull out a lump,
and whip it back and forth impatiently
to free the goodies hidden in the lump.
I could have let it mean most anything,
but I was stunned again at just how little
we ask for in our lives. Don't look! Don't look!
Two young nuns tried to herd their giggling
schoolkids away. Line up, they called, Let's go
and watch the monkeys in the monkey house.
I laughed and got a dirty look. Dear Lord,
we lurch from metaphor to metaphor,
which is -let it be so- a form of praying.
I'm usually asleep by now -the time
for supplication. Requests. As if I'd stayed
up late and called the radio and asked
they play a sentimental song. Embarrassed.
I want a lot of money and a woman.
And, also, I want vanishing cream. You know-
a character like Popeye rubs it on
and disappears. Although you see right through him,
he's there. He chuckles, stumbles into things,
and smoke that's clearly visible escapes
from his invisible pipe. It make me think,
sometimes, of you. What makes me think of me
is the poor jerk who wanders out on air
and then looks down. Below his feet, he sees
eternity, and suddenly his shoes
no longer work on nothingness, and down
he goes. As I fall past, remember me.
Gnorb
Written Apr. 10, 2007 / Report /
Poe's "The Raven"
"One upon a midnight dreary, while I pondered weak and weary
over many quaint and curious volumes of forgotten lore,
while I nodded, nearly napping, suddenly there came a tapping
as if someone gently rapping, rapping at my chamber door.
'Tis some visitor,' I muttered, 'rapping at my chamber door.
Merely this, and nothing more"
...
"And the raven, never flitting, still is sitting, still is sitting
on that pallid bust of Pallas just above my chamber door.
And his eyes have all the gleaming of a demon that is dreaming
and the lamplight o'er him streaming throws his shadow on the floor.
And my soul, from out that shadow that lies floating on the floor
shall be lifted...
...nevermore!"
(Quoted from memory. I know the rest of the poem, but you can find it in a billion places, so I need not reiterate it here. Yes, I realize this is a favorite of many simply due to its fame, but... well I also love Beethoven's 5th. So sue me. I'm a populist whore.)
RightOn
Written Apr. 10, 2007 / Report /
I've always had a soft spot for Shel Silverstein...
There is a place where the sidewalk ends
And before the street begins,
And there the grass grows soft and white,
And there the sun burns crimson bright,
And there the moon-bird rests from his flight
To cool in the peppermint wind.
Let us leave this place where the smoke blows black
And the dark street winds and bends.
Past the pits where the asphalt flowers grow
We shall walk with a walk that is measured and slow,
And watch where the chalk-white arrows go
To the place where the sidewalk ends.
Yes we'll walk with a walk that is measured and slow,
And we'll go where the chalk-white arrows go,
For the children, they mark, and the children, they know
The place where the sidewalk ends.
cooper
Written Apr. 10, 2007 / Report /
One of many
House by the Side of the Road
THERE are hermit souls that live withdrawn
In the place of their self-content;
There are souls like stars, that dwell apart,
In a fellowless firmament;
There are pioneer souls that blaze the paths
Where highways never ran-
But let me live by the side of the road
And be a friend to man.
Let me live in a house by the side of the road
Where the race of men go by-
The men who are good and the men who are bad,
As good and as bad as I.
I would not sit in the scorner's seat
Nor hurl the cynic's ban-
Let me live in a house by the side of the road
And be a friend to man.
I see from my house by the side of the road
By the side of the highway of life,
The men who press with the ardor of hope,
The men who are faint with the strife,
But I turn not away from their smiles and tears,
Both parts of an infinite plan-
Let me live in a house by the side of the road
And be a friend to man.
I know there are brook-gladdened meadows ahead,
And mountains of wearisome height;
That the road passes on through the long afternoon
And stretches away to the night.
And still I rejoice when the travelers rejoice
And weep with the strangers that moan,
Nor live in my house by the side of the road
Like a man who dwells alone.
Let me live in my house by the side of the road,
Where the race of men go by-
They are good, they are bad, they are weak, they are strong,
Wise, foolish - so am I.
Then why should I sit in the scorner's seat,
Or hurl the cynic's ban?
Let me live in my house by the side of the road
And be a friend to man.
samuel walter foss
cooper
Written Apr. 10, 2007 / Report /
Right On: Speaking of Silverstein, I used to love him when small and have all his books to this day stored somewhere.
For that silly things high schools do for year books where parents buy a piece of the page and write a bunch of stuff secretly
my parents posted this.
Listen to Mustn'ts, child, listen to the Don'ts.
Listen to the Shouldn'ts, the Impossibles, the Won'ts.
Listen to the Never Haves, then listen close to me.
Anything can happen, child, Anything can be.
kind of cool of them actually.
RightOn
Written Apr. 10, 2007 / Report /
I have every book of his in my collection and reading them makes me feel like I'm a child again sitting on the toybox looking out at the world and not having to worry about having to get to work on time, having time to imagine and have fun.
Sure I still use my imagination (I AM an artist) but it's just not the same as when I was a kid.
Rich
Written Apr. 10, 2007 / Report /
Fairly generic choice, I guess, but John Donne's The Flea is the only poem I could recite word-for-word from memory. I think it's wonderful.
bloglily
Written Apr. 10, 2007 / Report /
Wow. What really great poems those all are! I remember the Flea from school too. It's a great, if slightly creepy, come on. And the Shel Silverstein -- wonderful, ditto with Poe (who says it's bad to just really like something that sounds so good said aloud?) And Salazar, I love this: "I said, Make me something to eat. She yelled,
Poof! You're a casserole! - and laughed so hard
she fell out of bed. Take care of her."
And Ms. Witch -- that sounds like a good blogging creed.
Tchakra
Written Apr. 10, 2007 / Report /
I dont actually have a favourite poem, but rather a myriad of them. I do love many of the "popular" poems such as IF and the like ... but I thought I would post this one that is very much under-appreciated imo.
Nocturnal Reverie
In such a night, when every louder wind
Is to its distant cavern safe confined;
And only gentle Zephyr fans his wings,
And lonely Philomel, still waking, sings;
Or from some tree, famed for the owl's delight,
She, hollowing clear, directs the wand'rer right:
In such a night, when passing clouds give place,
Or thinly veil the heav'ns' mysterious face;
When in some river, overhung with green,
The waving moon and trembling leaves are seen;
When freshened grass now bears itself upright,
And makes cool banks to pleasing rest invite,
Whence springs the woodbind, and the bramble-rose,
And where the sleepy cowslip sheltered grows;
Whilst now a paler hue the foxglove takes,
Yet checkers still with red the dusky brakes
When scattered glow-worms, but in twilight fine,
Shew trivial beauties watch their hour to shine;
Whilst Salisb'ry stands the test of every light,
In perfect charms, and perfect virtue bright:
When odors, which declined repelling day,
Through temp'rate air uninterrupted stray;
When darkened groves their softest shadows wear,
And falling waters we distinctly hear;
When through the gloom more venerable shows
Some ancient fabric, awful in repose,
While sunburnt hills their swarthy looks conceal,
And swelling haycocks thicken up the vale:
When the loosed horse now, as his pasture leads,
Comes slowly grazing through th' adjoining meads,
Whose stealing pace, and lengthened shade we fear,
Till torn-up forage in his teeth we hear:
When nibbling sheep at large pursue their food,
And unmolested kine rechew the cud;
When curlews cry beneath the village walls,
And to her straggling brood the partridge calls;
Their shortlived jubilee the creatures keep,
Which but endures, whilst tyrant man does sleep;
When a sedate content the spirit feels,
And no fierce light disturbs, whilst it reveals;
But silent musings urge the mind to seek
Something, too high for syllables to speak;
Till the free soul to a composedness charmed,
Finding the elements of rage disarmed,
O'er all below a solemn quiet grown,
Joys in th' inferior world, and thinks it like her own:
In such a night let me abroad remain,
Till morning breaks, and all's confused again;
Our cares, our toils, our clamors are renewed,
Or pleasures, seldom reached, again pursued.
Anne Finch
Scrivs
Written Apr. 11, 2007 / Report /
Simply too long to paste: T.S Eliot's The Wasteland
carmodyarc
Written Apr. 11, 2007 / Report /
Silverstein is my dawg!
Love TS Elliot too.
But my favorite has to be Howl by Ginsberg (I think)
cooper
Written Apr. 11, 2007 / Report /
n case you hadn't noticed,
it has somehow become uncool
to sound like you know what you're talking about?
Or believe strongly in what you're saying?
Invisible question marks and parenthetical (you know?)'s
have been attaching themselves to the ends of our sentences?
Even when those sentences aren't, like, questions? You know?
Declarative sentences - so-called
because they used to, like, DECLARE things to be true
as opposed to other things which were, like, not -
have been infected by a totally hip
and tragically cool interrogative tone? You know?
Like, don't think I'm uncool just because I've noticed this;
this is just like the word on the street, you know?
It's like what I've heard?
I have nothing personally invested in my own opinions, okay?
I'm just inviting you to join me in my uncertainty?
What has happened to our conviction?
Where are the limbs out on which we once walked?
Have they been, like, chopped down
with the rest of the rain forest?
Or do we have, like, nothing to say?
Has society become so, like, totally . . .
I mean absolutely . . . You know?
That we've just gotten to the point where it's just, like . . .
whatever!
And so actually our disarticulation . . . ness
is just a clever sort of . . . thing
to disguise the fact that we've become
the most aggressively inarticulate generation
to come along since . . .
you know, a long, long time ago!
I entreat you, I implore you, I exhort you,
I challenge you: To speak with conviction.
To say what you believe in a manner that bespeaks
the determination with which you believe it.
Because contrary to the wisdom of the bumper sticker,
it is not enough these days to simply QUESTION AUTHORITY.
You have to speak with it, too.
taylor mali
shadowsun7
Written Apr. 11, 2007 / Report /
I'm tempted to put up Robert Frost's The Road Not Taken, one of my all time favourites ... but something to laugh about is due. I chose ...
Television, by Roald Dahl
The fact that it rhymes makes it even more cheeky. I love it. ;P
dotcommakers
Written Apr. 11, 2007 / Report /
Favorite topic!!
I haven't read much English poems but here are couple of Shers from my favorite Ghazals
Here are my mother tounge Gujarati's few shers.. Most of my favorite these Ghazals are created for a beloved by the poet.. [to just give you an idea of feeling]
I am not expert in translation hope you will understand the meaning/feeling
Ok feel the what a poet can say/express .. this is out of limit of normal person like us read the sher below
Gujarati
==========
"Dharu to ek chantoy sparshe nahi!
Aato varsadnu man rakhva palali javu padyu!!"
English version
=============
"If I wish, A water drop cant touch me,
I just got wet for the shake of rain!!"
here is original Sher
Gujarti
======
"Kya kahu chhu aapni ha hovi joie,
Pan na kaho chho ema vyatha hovi joie"
English version
==========
"Where am I saying? It must be 'yes'?
But if saying 'no", you should be sorry!!"
Gujarati
======
"Aam to lash dariya upar tare nahi
Lage chhe ke kinare tamne joya chhe"
English version
==========
"Death body never swim on the water surface
May be it has seen you on the bank**!!"
** Bank: beach/area near sea
"Dhar
JoeLencioni
Written Oct. 11, 2007 / Report /
My favorite poem is a sonnet by ee cummings. It is probably the saddest and most beautiful thing I've ever read:
davidhayes
Written Oct. 11, 2007 / Report /
I have a lot of favorites, but I think this one may be the best. It's called "Any Morning" by William Stafford.
LorriM
Written Oct. 11, 2007 / Report /
I own all of Shel Silverstein's books, too. I also like The Wasteland.
I like Auguries of Innocence, by William Blake.
Auguries of Innocence, by William Blake
To see a World in a Grain of Sand
And a Heaven in a Wild Flower,
Hold Infinity in the palm of your hand
And Eternity in an hour.
A Robin Red breast in a Cage
Puts all Heaven in a Rage.
A dove house fill'd with doves & Pigeons
Shudders Hell thro' all its regions.
A dog starv'd at his Master's Gate
Predicts the ruin of the State.
A Horse misus'd upon the Road
Calls to Heaven for Human blood.
Each outcry of the hunted Hare
A fibre from the Brain does tear.
A Skylark wounded in the wing,
A Cherubim does cease to sing.
The Game Cock clipp'd and arm'd for fight
Does the Rising Sun affright.
Every Wolf's & Lion's howl
Raises from Hell a Human Soul.
The wild deer, wand'ring here & there,
Keeps the Human Soul from Care.
The Lamb misus'd breeds public strife
And yet forgives the Butcher's Knife.
The Bat that flits at close of Eve
Has left the Brain that won't believe.
The Owl that calls upon the Night
Speaks the Unbeliever's fright.
He who shall hurt the little Wren
Shall never be belov'd by Men.
He who the Ox to wrath has mov'd
Shall never be by Woman lov'd.
The wanton Boy that kills the Fly
Shall feel the Spider's enmity.
He who torments the Chafer's sprite
Weaves a Bower in endless Night.
The Catterpillar on the Leaf
Repeats to thee thy Mother's grief.
Kill not the Moth nor Butterfly,
For the Last Judgement draweth nigh.
He who shall train the Horse to War
Shall never pass the Polar Bar.
The Beggar's Dog & Widow's Cat,
Feed them & thou wilt grow fat.
The Gnat that sings his Summer's song
Poison gets from Slander's tongue.
The poison of the Snake & Newt
Is the sweat of Envy's Foot.
The poison of the Honey Bee
Is the Artist's Jealousy.
The Prince's Robes & Beggars' Rags
Are Toadstools on the Miser's Bags.
A truth that's told with bad intent
Beats all the Lies you can invent.
It is right it should be so;
Man was made for Joy & Woe;
And when this we rightly know
Thro' the World we safely go.
Joy & Woe are woven fine,
A Clothing for the Soul divine;
Under every grief & pine
Runs a joy with silken twine.
The Babe is more than swadling Bands;
Throughout all these Human Lands
Tools were made, & born were hands,
Every Farmer Understands.
Every Tear from Every Eye
Becomes a Babe in Eternity.
This is caught by Females bright
And return'd to its own delight.
The Bleat, the Bark, Bellow & Roar
Are Waves that Beat on Heaven's Shore.
The Babe that weeps the Rod beneath
Writes Revenge in realms of death.
The Beggar's Rags, fluttering in Air,
Does to Rags the Heavens tear.
The Soldier arm'd with Sword & Gun,
Palsied strikes the Summer's Sun.
The poor Man's Farthing is worth more
Than all the Gold on Afric's Shore.
One Mite wrung from the Labrer's hands
Shall buy & sell the Miser's lands:
Or, if protected from on high,
Does that whole Nation sell & buy.
He who mocks the Infant's Faith
Shall be mock'd in Age & Death.
He who shall teach the Child to Doubt
The rotting Grave shall ne'er get out.
He who respects the Infant's faith
Triumph's over Hell & Death.
The Child's Toys & the Old Man's Reasons
Are the Fruits of the Two seasons.
The Questioner, who sits so sly,
Shall never know how to Reply.
He who replies to words of Doubt
Doth put the Light of Knowledge out.
The Strongest Poison ever known
Came from Caesar's Laurel Crown.
Nought can deform the Human Race
Like the Armour's iron brace.
When Gold & Gems adorn the Plow
To peaceful Arts shall Envy Bow.
A Riddle or the Cricket's Cry
Is to Doubt a fit Reply.
The Emmet's Inch & Eagle's Mile
Make Lame Philosophy to smile.
He who Doubts from what he sees
Will ne'er believe, do what you Please.
If the Sun & Moon should doubt
They'd immediately Go out.
To be in a Passion you Good may do,
But no Good if a Passion is in you.
The Whore & Gambler, by the State
Licenc'd, build that Nation's Fate.
The Harlot's cry from Street to Street
Shall weave Old England's winding Sheet.
The Winner's Shout, the Loser's Curse,
Dance before dead England's Hearse.
Every Night & every Morn
Some to Misery are Born.
Every Morn & every Night
Some are Born to sweet Delight.
Some ar Born to sweet Delight,
Some are born to Endless Night.
We are led to Believe a Lie
When we see not Thro' the Eye
Which was Born in a Night to Perish in a Night
When the Soul Slept in Beams of Light.
God Appears & God is Light
To those poor Souls who dwell in the Night,
But does a Human Form Display
To those who Dwell in Realms of day.
Sebastiano
Written Oct. 11, 2007 / Report /
I like this Q-Poem, or Question Poem
I have it on my private blog, so here you go Question Poem
Oh and if anyone knows who this Poem's is, let me know, so I can add that to the post...
^_^
missginsu
Written Oct. 20, 2007 / Report /
A very tough choice. There's hundreds of years of good stuff out there, and to my great shame, I just recently discovered e.e. cummings.
But I lovelovelove this one by William Carlos Williams. So sensual. So fleeting. So intimate.
— William Carlos Williams
Giant
Written Oct. 29, 2007 / Report /
Whisper
The relentless whisper telling tales in the night.
Weren’t the laughs and smiles much brighter then?
I know a boy who heard God speak.
Do those too few words carry him past the night.
The voices are many now he explains, and all imposters.
Knowing the truth yet reaching for lies.
Weren’t the thoughts and flowers much sweeter then?
Repent, repent I cry, and yet before the tears can dry, I ask, are You the One?
The flood is past, the fire to come.
Then the whisper… Weren’t the nights so much shorter then.
This cold sin life, owning death, our only promise.
Life like sand, worn by time.
The days drag on. The years fly by.
None worthy, made common by sin.
None worthy, seeing my soul I weep.
No second chances, only Faith’s hand offered, that this life to become the shadow of the next.
Giant
infinitelyfly
Written Oct. 30, 2007 / Report /
June Jordan: Poem About my Rights
If you haven't read June Jordan you're missing out seriously. Go get Directed by Desire, it will change your life.
lqz
Written Nov. 27, 2007 / Report /
Well if shadowsun7 won't, I will.
Robert Frost
The Road Not Taken
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth.
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same.
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I–
I took the one less traveled by,
And that has made all the difference.
Josh
Written Nov. 27, 2007 / Report /
Beowulf.
From Heaney's excellent translation:
So. The Spear-Danes in days gone by
and the kings who ruled them had courage and greatness.
We have heard of those princes' heroic campaigns.
There was Shield Sheafson, scourge of many tribes,
a wrecker of mead-benches, rampaging among foes.
This terror of the hall-troops had come far.
A foundling to start with, he would flourish later on
as his powers waxed and his worth was proved.
In the end each clan on the outlying coasts
beyond the whale-road had to yield to him
and begin to pay tribute. That was one good king.
.....
loism
Written Nov. 29, 2007 / Report /
I like the Hollow Men by T.S. Eliot:
The Hollow Men
A penny for the Old Guy
I
We are the hollow men
We are the stuffed men
Leaning together
Headpiece filled with straw. Alas!
Our dried voices, when
We whisper together
Are quiet and meaningless
As wind in dry grass
Or rats' feet over broken glass
In our dry cellar
Shape without form, shade without colour,
Paralysed force, gesture without motion;
Those who have crossed
With direct eyes, to death's other Kingdom
Remember us--if at all--not as lost
Violent souls, but only
As the hollow men
The stuffed men.
II
Eyes I dare not meet in dreams
In death's dream kingdom
These do not appear:
There, the eyes are
Sunlight on a broken column
There, is a tree swinging
And voices are
In the wind's singing
More distant and more solemn
Than a fading star.
Let me be no nearer
In death's dream kingdom
Let me also wear
Such deliberate disguises
Rat's coat, crowskin, crossed staves
In a field
Behaving as the wind behaves
No nearer--
Not that final meeting
In the twilight kingdom
III
This is the dead land
This is cactus land
Here the stone images
Are raised, here they receive
The supplication of a dead man's hand
Under the twinkle of a fading star.
Is it like this
In death's other kingdom
Waking alone
At the hour when we are
Trembling with tenderness
Lips that would kiss
Form prayers to broken stone.
IV
The eyes are not here
There are no eyes here
In this valley of dying stars
In this hollow valley
This broken jaw of our lost kingdoms
In this last of meeting places
We grope together
And avoid speech
Gathered on this beach of the tumid river
Sightless, unless
The eyes reappear
As the perpetual star
Multifoliate rose
Of death's twilight kingdom
The hope only
Of empty men.
V
Here we go round the prickly pear
Prickly pear prickly pear
Here we go round the prickly pear
At five o'clock in the morning.
Between the idea
And the reality
Between the motion
And the act
Falls the Shadow
For Thine is the Kingdom
Between the conception
And the creation
Between the emotion
And the response
Falls the Shadow
Life is very long
Between the desire
And the spasm
Between the potency
And the existence
Between the essence
And the descent
Falls the Shadow
For Thine is the Kingdom
For Thine is
Life is
For Thine is the
This is the way the world ends
This is the way the world ends
This is the way the world ends
Not with a bang but a whimper.